Writing is at once such brutal hard work, but so satisfying, too, when it goes right. It’s so much easier to sleep the sleep of the just when it does, too.
Good night.
A Letter from Paisley Currah
I received this today & as an author of books on trans subject, I thought I should make it available for more of you to see. There is very little out there that recognizes good scholarship/writing on the part of transfolks.
Friends,
Some of you know that, in addition to being a transgender rights advocate, I’m also the Executive Director of the Center for Lesbian and Gay Studies (CLAGS). Much of my work at CLAGS focuses on supporting writing, research, and advocacy about and for trans people.
I’m emailing you because, as activists, a scholars, or as scholar-activists, I know you’re interested in research on trans issues, and that you might be interested in supporting this work by making a donation to the Sylvia Rivera Award in Transgender Studies, a prize CLAGS gives out each year for the best piece of published writing in transgender studies. The 2004 winner was Jamison Green, for his book, Becoming a Visible Man. It probably won’t come as a surprise to many of you that there is still little recognition of transgender studies in the academy, and in publishing generally, so the very existence of this award does much to promote the work of those writing about transgender people.
I’m very proud of the work that we do at CLAGS to further transgender studies and advocacy, among other things. But here’s the thing–less than 7% of CLAGS’s operating costs come from the university that houses us. Almost all our work depends on the support of individuals and foundations. And all of the support for our fellowships, including the Sylvia Rivera Award, comes from individuals like you.
So please do consider supporting transgender studies by making a donation of any size (even a $10 or $20 donation would help a lot , $100 or $200 even more !) towards the Sylvia Rivera Award. Donations to the Sylvia Rivera Award count will also entail you to a CLAGS membership, including a subscription to CLAGSnews, other member benefits, and my undying love and gratitude.
You can make your donation online, right now. Just go to our donations page and choose “Sylvia Rivera Award” under “your support.” Or, you can send a check to CLAGS, Room 7115, 365 Fifth Avenue, New York, NY 10016.
For those of you who don’t know about CLAGS, here’s some background–CLAGS was established in 1991 at the Graduate Center campus of the City University of New York as the first and only university-base research center for Lesbian /Gay /Transgender /Bisexual /Queer (LGTBQ) issues, histories and ideas. For more than a dozen years, CLAGS has worked to foster and disseminate LGTBQ thought to the country through its public programming (panels, colloquium series, conferences), outreach efforts (free reading and discussion groups), and resources (a far-reaching newsletter, well-trafficked website, a book series with NYU Press). And in May 2005, we hosted a national conference, “Trans Politics, Social Change, and Justice.” More in-depth information about the trans conference and CLAGS in general can be found at our website, www.clags.org.
Thanks so much for considering my request.
All my best,
Paisley
Paisley Currah / Executive Director / Center for Lesbian and Gays Studies (CLAGS) / http://www.clags.org &
Director / Transgender Law & Policy Institute / http://www.transgenderlaw.org
The Center for Lesbian and Gay Studies (CLAGS) / Graduate Center, Room 7115 / City University of New York / 365 Fifth Avenue / New York, NY 10016
For more information about CLAGS’s events, programs, conferences, colloquia, and fellowships, to add to or search our directory of LGBTQ Studies, to join our mailing list, or to find out how to become a member, please visit our web site at www.clags.org.To make an online donation to CLAGS, go to our page at Groundspring..
More Writing Life…
… and then there’s that other issue with writing, and that’s being friends with other writers. I had a writing professor who used to say that he preferred friendships with painters. Because when your painter friend asked you to see his new work, you could spend an hour, and go. But with writer friends, you have to read the whole book, and you have to say something intelligent about it, not just in general, but with some detail, to prove you read it and that you were paying attention at the time.
On top of that, they often have questions: Did that metaphor at the beginning of Chapter 3 work for you? Do you think most people know what Borg means, or do I just know a lot of geeks? Do you think I need to footnote who Dagny Taggart was?*
Annoyances, the lot of ’em.
Thanks to my friends, who for all these years have answered my annoying questions, and read drafts of mss., and second drafts, and then even finals, to see if I made it not suck in the end.
* Coming soon, to a theatre near you.
Double Whammy
What more could you want than an interview with Dan Savage and Tristan Taormino?
Tristan Taormino has also *just* started the new OpenUp forums, for the discussion of sex & various other topics.
Two Months
If anyone else has noticed, this now marks two whole months that I’ve blogged at least once a day. No, they’re not all long, meaningful essays, but I am currently writing a book, too.
TransNation Columns
An FTM journalist named Jacob Anderson-Minshall who did an interview with me for this past month’s Curve magazine is writing a column called TransNation, and I like it. He’s done columns on the NCTE’s Andy Marra, on Calpernia Addams, Gunner Scott of GenderCrash, and columns on the increasing visibility of trans people in the media.
Keep an eye out for the column; it’s good stuff.
Five Questions With… Mara Keisling
Mara Keisling is the founding Executive Director of NCTE (National Center for Transgender Equality). A Pennsylvania native, Mara came to Washington after co-chairing the Pennsylvania Gender Rights Coalition. Mara is a transgender-identified woman who also identifies as a parent and a Pennsylvanian. She is a graduate of Penn State University and did her graduate work at Harvard University in American Government. She has served on the board of Directors of Common Roads, an LGBTQ Youth Group, and on the steering committee of the Statewide Pennsylvania Rights Coalition. Mara has almost twenty-five years of professional experience in social marketing and opinion research.
1) How much do you think your personality and sense of humor have to do with your success as a lobbyist? What personality? What humor?
I’m not yet ready to claim personal lobbying success, though I know we definitely are having an impact and NCTE was integral to getting the first ever piece of positive trans legislation introduced in Congress this year. I do know though that my sense of humor is a vital part of my personality and helps keep me strong. “They†say that keeping one’s sense of humor is important to weathering bad situations and I certainly believe that. And I have always been lucky enough to be able to amuse myself. Hopefully sometimes others are amused as well.
The work we do educating policymakers, though, is deadly serious and I do treat it that way. That doesn’t mean I do not inject humor as appropriate though. I think it humanizes us and me and makes our stories somewhat more accessible to those who may be trepidatious at first.
By the way, kind of as a hobby, I have begun to do a little bit of standup comedy again and may be coming to a town near you, or at least a trans conference near you.
Continue reading “Five Questions With… Mara Keisling”
A Moment With Betty
I was busy writing a post about Jill Barkley and the Philly Trans Health Conference when the President’s appearance was announced. With my back to the TV, I heard Betty crack a beer open and then say, “It’s like a parade of evil.” Indeed.
We decided not to play do the Presidential Drinking Game suggested by Heather Havrilesky of The LA Times. Here are the rules:
- Every time Bush says “terror,” “terrorism,” “terrorist,” “war on terror” or “Terror Dome,” you drink.
- Drink when the president winks, nods and points at someone in the audience in rapid succession; drink each time he refers to 9/11 or uses the word “nuke-u-lar,” and drink something bitter when he says that “the state of our union is strong.”
- Whenever there’s a close-up of a sour-faced Democrat, drink. If it’s Hilary Clinton, Ted Kennedy or Harry Reid, drink twice.
- When Bush says “protect” as in “protect America,” “protect the lives of Americans” or “protect our right to eavesdrop on the phone calls of any American,” drink. If he refers to his solemn right to spy on antiwar activists as the “Terrorist Surveillance Program,” drink three times.
- Also, drink whenever the president uses the word “security,” as in the “security of all Americans” or “a secure nation.”
- When the president alludes to “tax reform,” “tax credits” or “tax relief,” give a big shout-out to the federal budget deficit — then drink.
- Drink each time the president begins a charming anecdote about some folks from a small red-state town; drink twice when the camera cuts to said folks.
- Every time the president smiles or chuckles when he’s talking about something scary and awful, like giant battlegrounds and forces of evil, smile and chuckle along with him — Haw haw haw! — then kick your dog.
- Drink each time the president mentions “free elections” in Iraq.
You really should read the complete rules, though. But both Betty and I have to work tomorrow, so this one just wasn’t an option. I’d be drunk by now (9:17 PM) if we had.
Out of the Freying Pan and Into the Fire
Oprah just said that she doesn’t want kudos for admitting she was wrong because it was the only thing to do, and that was after cutting off Nan Talese mid-sentence. (Nan Talese is not the kind of person who is used to be cut off mid-sentence – she’s a Senior VP of Doubleday and owns her own imprint there). But Oprah is angry, and James Frey is starting to feel like the meat industry, I bet.
Frank Rich is angry, too, and just pointed out that being honest is usually the first step in any addiction recovery journey.
Stanley Crouch wants to know how much Doubleday had to do with coercing Frey into publishing it as a memoir.
And Maureen Down suggested Oprah cast Frey out of her kingdom.
A journalism professor (whose name I didn’t catch) just pointed out that when you doubt one memoir, you start to distrust them all; as someone who has put the truth of my life on the line, I really resent James Frey and even more the slick rationalizations of Nan Talese. Her attitude is exactly what sucks about the publishing industry.
Granted, our whole culture cries out for sensationalism: they don’t want to hear one woman’s story of pregnancy and childbirth; they want the post-natally depressed nearly-killed-her-baby mother. More than once members of the media (okay, including a producer from Oprah) stopped being interested in our story because Betty hasn’t had “the operation.”
So this is what I think: Nan Talese and Frey should figure out how much money they made from bullshitting everyone, and they should give it back. There are definitely 12-step programs that need funding and tons of individuals who could use some money to re-start lives that addiction has made a mess of.
And I know there are memoir writers out there that could use a grant. I just know it.
David Foster Wallace Ad Absurdum*
Tom Scocca’s piece in The New York Observer on the Frey hoo-ha might be overstating the case, but this bit of parody made me laugh really hard:
Fine. Then comes the opening sentence: “On my first day in jail, a three hundred pound man named Porterhouse hit me in the back of the head with a metal tray.â€
In other words: “On my first day in jail*, a three hundred pound man** named Porterhouse*** hit me in the back of the head**** with a metal tray*****.â€
*The author never went to jail.
**Weight is an estimate; also the author, not being in jail, never met such a person.
***Not his real name; also the author never met such a person.
****Because the author’s head was not present in jail, such a blow did not actually land.
***** The composition of the tray is a guess, because the author did not actually get hit by it, because the author was never in jail.
Thanks to GalleyCat for pointing out this passage in particular & the article in general, while simultaneously pointing out that JT LeRoy’s sales figures actually increased last week as a result of the fracas, proving once again that sometimes, bad publicity is still publicity.
* David Foster Wallace has nothing to do with this controversy; he’s just famous for excessive footnoting in his writing, in a postmodern kind of way.