Go take it. Tell your friends to take it.
Knowledge is Power.
Helen Boyd Kramer's journal on gender and stuff
I wish I’d known her. She seems like she was a beautiful person, and it’s very obvious she was well-loved. Her friend Rendon spoke for the family.
“He doesn’t know she has family. She had her mom. She had her nephews, brothers, and sisters that person didn’t think about what he did,” Rendon said.
The family is trying to raise funds to bury their loved one. Donations can be made by calling 816-745-2904.
I can’t share the details because they break my heart. Last night, learning this news, I just crumpled. For those of you who don’t understand any of this violence, here’s a brief piece in Time about it. I don’t know that it explains anything at all to anyone who is sane and not full of hate.
I’m worried about all of you these days. Please be careful out there. Let someone know who you’re seeing and when.
I mean to distract you from your online bickering for a moment.
This weekend, three trans people of color were reported murdered – one in Arizona, one in Detroit, one in North Carolina. They had nothing else in common from what I can tell, but for being at that fatal intersection of identity that is being black and trans.
The murders this year in the US are already greater than the total number for 2014.
The deaths are always gruesome, cold-blooded, but often intimate and overkill. And when I hear a new report I think: this is never just transphobia at work, but racism and patriarchy, too – patriarchy because violence is still seen as some kind of legitimate response to a threat. Look at the “but he was threatening” defenses of armed cops who have killed unarmed people. These murders are the worst excesses of patriarchy.
Then I read something like this piece, about feminists trying to get at questions of gender construction – what is gender, how we define it, how we “make sense” of the gender of trans people as feminists who only defined gender as a system of oppression. Like many feminists of my era, my reluctance toward femininity comes from a suspicion that women are raised to be feminine because it makes us less powerful, easier to ignore, easier not to hire or promote. It makes us happier to be at home with children instead of in the workplace.
But for trans women, femininity can mean life. Survival. Acceptance. Their version of gendered oppression – and mind you, they’re already also dealing with sexism – means that the one thing the world has told them is that femininity is not theirs to have and that femininity will keep them alive.
It’s not really that complicated, and it’s not a theoretical point. Women, trans women, women of color – there may be variations on the ways we’re told to be, but the fact is that we are told to be a certain way, and the punishment for not being that way is death.
This is not a theoretical argument about gender. This is not about Caitlyn Jenner. This is not about femininity. This is about life, and about these terrific losses.
My heart is so broken all the time and I look up and see the arguments and lateral violence and theoretical discussions and I don’t know what more to say but SHUT THE FUCK UP and notice. Please, folks. Stop busying yourself with the ideas and find real-world ways to stop the violence.
In response to my HuffPo post, we have our first crosspost, by my friend Darya:
A young trans friend of mine in the Hollywood film industry, a union member, spoke to me recently about a conversation she had when she asked an individual representing the Motion Picture Industry Health Plan about health care for herself. She began with the most basic question; will they pay for hormones? The answer was a flat and simple no.
Page 63 of the Active MPI health plan states that “gender change” is excluded from coverage. Some of us would argue that we aren’t “changing” so much as “restoring” genders, but let that be, for now. On her own, my friend found that that there was another plan available to union members, an HMO, that did indeed cover all aspects of trans health care including Gender Reconfirming Surgery with an excellent provider in Arizona.
Even then, she found she had problems with representatives of the provider depending on where the offices were located. The Hollywood/Los Angeles office was helpful and knowledgeable, while other offices seemed perplexed, as if she were requesting something no one had ever heard of before.
If you are a trans person seeking health care, you are no stranger to this. In spite of a groundbreaking state law in California that prohibits insurers from excluding trans-related care from health plans, many insurers still push back against providing it, subtly, or not-so-subtly.
I’m pretty sure most people don’t realize this, but HuffPo doesn’t pay writers. Like EVER, like any of them. People who write for HuffPo do reserve their rights, however.
And because I’m a professional writer who believes writers should get paid, because we’re professionals like everyone else, I don’t like to read things there.
They are, however, pretty willing to publish some good trans stuff. So here’s an offer for those of you who publish there: let me crosspost your work so that a bunch of people who won’t read, click on, or link to HuffPo articles can still read you. They’ll still make all the ad dollars from whoever clicks on their version, & I won’t make a dime.
Just send me your text & voila, I’ll put it up here.
Again, I’ve been doing this a long time, so here’s the shorthand:
If, as a director, you want to make a movie about a young gay man who has been kicked out of his Kansas home by his Christian parents for being gay who then, in turn, comes to NYC & becomes a queer radical, make that awesome movie. It’s needed.
Just don’t, um, call it Stonewall. It can even be about that era, or that particular guy’s experience in the uprising, but calling it Stonewall implies it is about the whole of the event, not just one person’s experience in it.
Miss Major explains the rest, as far as I’m concerned.
People aren’t upset just because of this movie; they’re upset because this has been happening since 1970 when Silvia Rivera was first asked not to speak at the 1st anniversary of Stonewall, the very 1st PRIDE. And you would think that perhaps someone might do their research and realize how incredibly frustrating it has been for the trans community to experience this erasure, especially after being dumped from legislation that benefited the LG and not the T. That is, there’s a history to the history.
I think I’m most disturbed by the idea that the director and screenwriter were surprised by this backlash and calls for a boycott. There are about 800 people who do trans history and advocacy who could have warned them, and maybe they were warned and dismissed the warning. That said, I’ve also seen them called out for using the word “transvestite” which – although it’s not used anymore – was, in fact, the word used by Rivera and Johnson, whose organization was called STAR, after all, for Street Transvestite Action Revolutionaries. While I’m at it, there’s this:
What people fail to realize is that the Stonewall was not a drag queen bar. It was a white male bar for middle-class males to pick up young boys of different races. Very few drag queens were allowed in there, because if they had allowed drag queens into the club, it would have brought the club down. That would have brought more problems to the club. It’s the way the Mafia thought, and so did the patrons. So the queens who were allowed in basically had inside connections. I used to go there to pick up drugs to take somewhere else. I had connections.
[From Rivera’s piece “Queens in Exile, the Forgotten Ones,” in J. Nestle, ed., Genderqueer: Voices from Beyond the Sexual Binary, at pp. 67-85 (2002).]
Does all this mean the movie will suck? Maybe not. It does mean that I won’t go see it.
Maybe I’ve been doing this too long, but in preparing to do a presentation for a local organization this week, all I keep thinking is that I want to walk in and say “trans women are women, trans men are men, and some people are neither or both. Don’t worry about their genitals, their socialization, or anything except whatever services you’re providing for them. Ask everyone what name & pronoun they prefer for themselves, and then use them.”
</end Trans 101>
& Obviously, I know it’s not that simple, but it really kind of is, isn’t it?
Here’s the always awesome Ignacio Rivera with a few reasons why it’s important, and I’ll add myself that having published some scholarship on trans issues, the last survey provided much needed data and continues to be cited in necessary ways.
People ask me why I love crossdressers. Here’s one reason:
What a beautiful short piece on the community, the nature of confidence, and all with a history and knowledge of how it used to be and how what trans people are doing no more than, and no less than, what everyone is trying to do.
Really gorgeous.
Stud, butch, AG, masculine of center – these are some of the terms people use to talk about their identities in this documentary by Nnekah Onuorah that I have to find a way to see. Short of that, this article by Carolyn Wysinger over at the always-amazing Autostraddle covers a lot of the terrain:
When I left the theater the very first thing that I did was hop on Facebook to proclaim The Same Difference as the best film about black butchness that I had ever seen and I’ve seen all of them — all two of them. There has literally been only two films that give audiences the opportunities to view images of black studs/butches/AG’s/doms and talk about their experiences. The Same Difference approaches the subject in a bit of a different way. The film wasn’t initially conceived as a film about black butches. Nneka’s original concept was to simply start conversations about gender and stereotypes. She went into it openly inviting women of different ages and ethnicities to panel discussions about some of the “rules” presented. The film ultimately found its own way landing on black butchness. For a black masculine of center woman such as myself it felt perfect because it is very rare that we are represented in any form of media deconstructing gender outside of juxtaposing femmes. The goal was to allow those with different opinions about gender and stereotypes to have discussions and get to the root of these stereotypes.
There is so little visibility for masculine of center folks, much less so for those who are black. The Aggressives, which came out in 2005 by director Daniel Peddle was criticized because it was made by someone outside of this community – even if it was one of the very first documentaries that gave voice and visibility to AGs.
You must be logged in to post a comment.