Reading Judith Butler on the D Train

I know I’m not the only one excited by a Christmas gift of gender theory – not only, but not common, either. A slim volume, bound in oily paper.
But how is it – despite my excitement – that once I start to read I start to yawn? Radical performativity and challenges to authorship make me want to stretch like my cat on our bed, him in the sun through our back bedroom window, me on the D train, rays streaming in off the white chips of ice in the East River and on the sludge piles on the Brooklyn side. White light/no heat.
Despite theory, on the train I name genders. Shy momma’s boy, effete hipster, resilient Malay matriarch. Aren’t we all different gendered, even while we pass for one or the other? Does the crisis only happen when everyone sees “man” when one feels “woman,” or vice versa? Or do we just assume that everyone only sees two, like some kind of post-apocalyptic god, cleaving some to the left, some to the right? What do most people see? I try to remember back, from when I didn’t think of gender, and what comes to me is a time when I was on a different train, the Long Island Railroad, and I was about 17. An aging conductor was the first to take my monthly ticket, and he punched it M. I know I changed it later, but I also know I’d wondered if I should, or not. Would all the conductors think me male, or had the lights blinked off for a moment for one semi-blind conductor? If I had it changed, and they still read me as M, – what then? (I had it changed, thinking somehow that my combat boots and shaved head and flannel shirts would still, somehow, by some miracle, be read as F.)
No one reads me now as M, but I still know I’m only passing.