& The winners are…
Transgender/GenderQueer
Choir Boy by Charlie Anders (Soft Skull Press)
Finalists for the 2005 Lambda Literary Awards (alphabetical by category):
Transgender/GenderQueer
Choir Boy by Charlie Anders (Soft Skull Press)
In a Queer Time and Place by Judith Halberstam (NYU Press)
Deliver Me from Nowhere by Tennessee Jones (Soft Skull Press)
Just Add Hormones by Matt Kailey (Beacon Press)
The Riddle of Gender by Deborah Rudacille (Pantheon)
A pure moment of unadulterated teenaged glee, here, but: Adam Ant has written his autobiography. A couple of years ago when he was first really struggling with manic-depression he got a “1%” tattoo on his body somewhere – yes, I’d like to know where – because 1% of the world’s population suffers with mental illness of some kind.
And I thought he rocked then.
But this just thrills me; in a sense it’s been a book I’ve been waiting for my whole life, or at least since I was 13 or so. I still have dreams about finding Ants stuff I don’t own, and there’s precious little out there that I don’t. And now, this, as a grown-up; it’s even better than the time he was on Northern Exposure, which was my favorite show at the time, & a little surreal, for my favorite person/hero to be on what was my favorite show. Like the kind of dream you have when you’re 16 & your life sucks.
(& by god, but look at his face! i think he’s the most perfectly formed person who ever lived, i swear it.)
Dr. Richard Docter is a clinical psychologist and gender researcher from Los Angeles with 20 years of experience in the transgender community. Together with Virginia Prince, he is co-author of the largest survey of cross dressers ever published. In 1988 he published the book Transvestites and Transsexuals. He continues to be a frequent contributor to transgender conventions throughout the nation.
1) Your Transvestites & Transsexuals was one of the only books (other than Mariette Pathy Allen’s Transformations) that actually mentioned spouses when I was looking for information nearly a decade ago. What encouraged you to include spouses?
< Dr. Richard Docter with Christine Jorgensen, 1987. (Photo by Mariette Pathy Allen.)
There were a number of published articles about the concerns of wives published prior to 1988. I was interested in the views of wives because important family dynamics are almost always affected by cross dressing. Few wives were totally rejecting, but few had worked out an accomodation that felt good for both. The wives who seem most interesting to me are people like you, Helen, who defy the societal view that all of this is sick, sick, sick. Instead, some wives, as you point out, not only put shame on the back burner, but find ways to enjoy the joy of cross dressing that means so much to their husband. I hope you will keep collecting their stories so they can be shared with both husbands and wives.
I’m reading Joan Didion’s remarkable The Year of Magical Thinking right now, because the book got such outstanding reviews (and a National Book Award), but also because I’m writing a memoir-ish book that will also go into more abstract issues – like gender, & marriage, & things such as that. I want to see how Didion did it; I like to learn from the best. (Actually, the best writing advice I ever got was to read good books.)
I was wondering if anyone else has recommendations for other good memoirs I might check out – obviously, ones on the serious side.
Okay, I’m going to hope this is the last installation in my recent series about my TV viewing. (Previous installations includes posts about Coke and Adam Ant, Jenny Craig and street harassment, Beauty & the Geek, and one about a reality show that never aired, despite its feel-good homo-friendly vibe). Okay, I might still write about the Abigail Adams biography that’s been running on PBS, but not right now.
Right now I want to talk about the most lovely and bizarre – and uniquely American – merging of capitalism and philanthropy I’ve ever seen: Extreme Home Makeover.
Here’s the premise: family beset by hardship or doing really cool stuff is recommended to the show and its host, Ty Pennington, by a friend or neighbor and occasionally a member of the family.
The Extreme Home Makeover team show up at the family’s door, send them on vacation for a week, and during that very same week, completely re-build their entire house.
They use products that get prominent display during the show and on the show’s website: tools from Sears, and appliances from Kenmore. Basically, it’s free advertising in exchange for donated goods to use for the home makeover.
Local construction companies help out, and/or volunteer types, and often a celebrity gets involved. The family returns home, their community gathers, everyone shouts “move that bus!” and then everyone cries and smiles and hugs everyone else (especially the Design Team).
It’s the corniest shit ever and I love every minute of it. It’s so bizarrely American. In a way, it’s all win-win: cool families that do things like rescue injured animals get a great house and free dog food and kennels, Sears gets to show off their power tools, and millions of viewers are entertained.
Really, Betty and I have been watching weekly for a long while now, and we fight over tissues. Dunno, maybe during such shitty times, it’s a relief to see nice people who do good stuff get rewarded – and the only strings attached is a little bit of ‘good karma’ advertising for the companies that donate.
I think shows like this are what we should be exporting to the rest of the world instead of Baywatch or whatever other crap we export (there are some cultures, I’m sure, that find those damn Survivor shows insulting, since so much of the world’s population isn’t living in much better conditions than the contestants). We all know that Ford isn’t going to give any trucks to the employees they just laid off when their families apply in a year or so after not being able to find replacement work. No, of course not.
But at least it’s not crap news, of which we’ve got plenty.
Oprah just said that she doesn’t want kudos for admitting she was wrong because it was the only thing to do, and that was after cutting off Nan Talese mid-sentence. (Nan Talese is not the kind of person who is used to be cut off mid-sentence – she’s a Senior VP of Doubleday and owns her own imprint there). But Oprah is angry, and James Frey is starting to feel like the meat industry, I bet.
Frank Rich is angry, too, and just pointed out that being honest is usually the first step in any addiction recovery journey.
Stanley Crouch wants to know how much Doubleday had to do with coercing Frey into publishing it as a memoir.
And Maureen Down suggested Oprah cast Frey out of her kingdom.
A journalism professor (whose name I didn’t catch) just pointed out that when you doubt one memoir, you start to distrust them all; as someone who has put the truth of my life on the line, I really resent James Frey and even more the slick rationalizations of Nan Talese. Her attitude is exactly what sucks about the publishing industry.
Granted, our whole culture cries out for sensationalism: they don’t want to hear one woman’s story of pregnancy and childbirth; they want the post-natally depressed nearly-killed-her-baby mother. More than once members of the media (okay, including a producer from Oprah) stopped being interested in our story because Betty hasn’t had “the operation.”
So this is what I think: Nan Talese and Frey should figure out how much money they made from bullshitting everyone, and they should give it back. There are definitely 12-step programs that need funding and tons of individuals who could use some money to re-start lives that addiction has made a mess of.
And I know there are memoir writers out there that could use a grant. I just know it.
Bradford Louryk created and performs in Christine Jorgensen Reveals – as Christine Jorgensen herself. In the play, he lipsynchs a recorded interview with Jorgensen that was conducted by Nipsey Russell and recorded in 1958. The show, as directed by John Hecht, has garnered rave reviews, including at the Edinburgh Fringe Festival. Louryk did his BA at Vassar, and has acted at varied theatrical venues, from Studio 42 (of which he was a founding member) to Playwrights Horizons to hERE. Christine Jorgensen Reveals plays in New York until January 28th.
1. How has this piece affected your understanding of gender? Is this the first time you’ve played a woman?
This is not the first time that I’ve played a woman, but it’s the first time I’ve played an historical human being who happens to have been a woman. My previous experiences were with Greek tragic heroines – Klytaemnestra, Elektra, Medea, Phedre – and with biblical figures – Judith from the story of Judith and Holofernes, and I’m currently developing a piece about The Virgin Mary called “Version Mary.†I like to stretch myself as much as I can as an actor every time I’m onstage. Whether that’s through language or physicality or playing the opposite sex, I always want to grow as a performer through whatever role I’m creating.
That said, since I first became aware of cross-gendered casting as a politicized choice (when I was exposed to Charles Ludlam’s writing) when I was about 15 years old, I have understood gender as a fluid construct. Thus, my approach isn’t about being male or being female, but about realizing the character in an honest manner. Men are not exclusively masculine and women are not exclusively feminine, thus, when you paint your character with details from the spectrum of what we understand gender to be, you arrive at – I hope – a fully rounded person, with whom the audience can interact.
Vern L. Bullough is a SUNY Distinguished
Professor Emeritus, was a past President of the Society for the Scientific Study of Sex, was honored with the Kinsey Award for his research, and is the author of Crossdressing, Sex, and Gender, along with 50+ other books on various subjects, most of them involving sexuality.
< Helen with Vern Bullough at IFGE 2004.
1) In terms of trans and gender subjects, what do you think is the most important piece of your scholarship?
The field of trans research is rapidly changing as it moves more into the mainstream of variant sexual behaviors. I think the best back ground is the book that my late wife Bonnie and I did, entitled Cross Dressing, Sex and Gender. The best survey of the field up to l997 was also one that Bonnie and I edited entitled Gender Blending. The best for female to male transsexuals is that by Holly Devor, entitled FTM. There are more specialized books coming out now but I think these three are the basis for a good understanding.
I was up late (as usual) and a movie about Wild Bill Hickock was on, with Ellen Barkin playing Calamity Jane.
Calamity Jane started wearing men’s clothes in 1870, when she was 28. She said: “Up to this time, I had always worn the costume of my sex. When I joined Custer*, I donned the uniform of a soldier. It was a bit awkward at first, but I soon got to be perfectly at home in men’s clothes.”
About two years before that, she was described as “extremely attractive” and by another observer as a “pretty, dark-eyed girl.”
She “set herself apart from other women in that she could work and socialize with hard and tough frontiersmen: from digging for gold, drinking in bars, cussing and dressing like a man, she was mostly accepted by them.”
Interesting to me – she slept with men. Wow: a butch het woman, the kind that Judith Halberstam says don’t matter.

* It was probably not Custer, as there was no record of him being where she was at that time.
I found the above bits and a more complete biography about her at this website.
Abigail Garner is a writer, speaker and educator
who is dedicated to a future of equality for LGBT families and communities. She speaks from her own experience of having a gay dad who came out to her when she was five years old. Bringing voice to a population of children that is often overlooked, Abigail has been featured on CNN, ABC World News Tonight, and National Public Radio. She is the author of Families Like Mine: Children of Gay Parents Tell It Like It Is (HarperCollins, 2004).
1) As a child of a GLBT parent, you’ve effectively become a ‘lightning rod’ for others children of GLBT parents. What has that been like?
It’s is really a joy to connect with “my people.” It’s really not what I originally set out to do, because I subscribed to many of the same misperceptions as the general public. Namely, that there are very few adult children of LGBT parents. My advocacy initially was to be a resource for younger children and their parents. In the process, however, I have been contacted by so many peers that I hadn’t let myself believe were out there — adult children in their 20s, 30s and older. I even chatted with a woman born in 1938 who had a lesbian mother and gay father. And despite whatever differences there are between us, when the common experience of having queer parents is reflected in another person, it’s exhilarating.
It just occurred to me that not all of you would know that you were missing some info about my next book by *not* reading Damian McNicholl’s interview with me. The last question he asked was:
DMN: Are you working on anything new?
to which I responded:
HB: I’m working on a book now called Boy Meets Girl, which is about the things I’ve learned about gender in relationships as a result of being with Betty and as a result of meeting a lot of gender variant people since I published My Husband Betty. What I’ve noticed is that until or unless there’s a problem with gender, it’s invisible. We make huge assumptions about who a person is and who they’re supposed to be as a partner and lover based on gender – and I came into this relationship thinking I was pretty smart about gender, and didn’t do any of those things. But when your husband starts wondering if he should transition (that’s the PC term for a ‘sex change’ these days), you have to think a lot harder about gender, and learn a lot more. Boy Meets Girl will be a memoir of my struggle to figure out what it might mean to our romance if my husband became my wife, and how what I learned in the process might help others in relationships of all kinds.
So there you have it.
Mariette Pathy Allen is the award-winning photographer and author of the books Transformations: Crossdressers and Those Who Love Them and The Gender Frontier. She has been photographing the trans community for 25 years now, and is unofficially referred to as the “official photographer of the transgendered.”
Transformations was personally an important book for me (the only one about CDs that included wives’ words) and The Gender Frontier won this year’s Lambda Lit Award in the Transgender category, and she also took the cover photo of Jamison Green’s Becoming a Visible Man (which was a Lammy finalist as well). We had the great pleasure of being photographed by her last year at Fantasia Fair, and it was lovely to get to “catch up” with her. Her most recent news, which came down the pike after this interview took place, is that she will soon be the proud grandmother of twins!
< I took this photo of Mariette Pathy Allen with her camera at the 2004 IFGE Conference. And yes, that is Virginia Prince in the background.
1. You won the Lambda Literary Award for best TG book this year – how does that feel?
I wasn’t expecting to win-in fact, I thought I had it all figured out: the odds were so unlikely that I didn’t even have a speech ready. When I heard “The Gender Frontier” announced as the winner, I thought I would faint! Getting to the stage seemed to take forever: I was in the middle of the row, near the back of the auditorium. When I finally got to the stage, I realized that I was thrilled, and that this was as close to getting an Academy Award as I am likely to get!
Last year, Bailey’s book, “The Man Who Would Be Queen” was a finalist. It caused a furor among tg activists, and controversy at Lambda, finally leading to its removal from the list. This year, the selection of books in the transgender/genderqueer category was excellent-any one of the five deserved to win, and there was no drama.
I had the feeling that most of the audience had no idea what “The Gender Frontier” was about and that this was the time to tell them. I mentioned that it was a long time in the making because it chronicled events and people over the past decade, that my intention was to represent the range and variety of people who need to live fulltime as the gender in which they identify. and that the book divides into sections on youth, political activism, portraits, and stories. I can’t remember what else I said, but I know my last word was “gender variant”, and I hope the audience understood.
Out of all the LGBT prizes offered, it is odd that there’s only one for the “transgender/genderqueer” category. We have illustrated books, memoires, essay collections, science, and science fiction, enough books to be included in the range of GLB awards, or to add to our own category. I think we need at least three categories next year: “transgender/genderqueer fiction, non-fiction, and illustrated books”.
Jamison Green is the author of Becoming A Visible Man
(Vanderbilt U. Press, 2004), which won the CLAGS’ Sylvia Rivera Book Award and was a Lambda Literary Finalist. He writes a monthly column for PlanetOut, and is a trans-activist of unmatched credibility. He is board chair of Gender Advocacy and Education, a board member for the Transgender Law and Policy Institute and the Harry Benjamin International Gender Dysphoria Association, and served as the head of FTM International for most of the 1990s*. He is referred to in many other books about trans issues, including Patrick Califia’s Sex Changes, Gender Outlaw by Kate Bornstein, and Body Alchemy by Loren Cameron.
1. Betty and I often repeat your “there is no right way to be trans” idea, and I was wondering if any one thing contributed to you believing that.
I guess you could boil it down to the desire not to invalidate other people, but that desire has been informed by exposure to a wide variety of transgender and transsexual individuals of many ages, from many cultures, and many walks of life. Some people take it upon themselves to judge other trans people, to say “You’ll never make it as a man” or “as a woman,” or “you’re not trans enough,” “radical enough,” “queer enough,” whatever the case is. But I’ve known people who were told those things who went on to have successful transitions and generally satisfying lives, though they often felt burned enough by “the community” to stay away from it. I think it’s a shame that people cut themselves and/or others off from the potential for community, and I think that if we all truly believed there was room for everyone and we could learn to truly appreciate other’s differences and each person’s intrinsic value as a human being –and if we worked to make that a reality– then we, as collective trans people, might really make a positive difference in the world.
Alice (Richard) Novic is the author of Girl Talk magazine’s “Go Ask Alice” column and also the author of the newly-published Alice in Genderland, a modern (readable!) memoir by a crossdresser. Dr. Richard Novic, Alice’s male self, is a psychiatrist who lives with his wife in the LA area, and his femme self, Alice, has a steady boyfriend.
1) How did being a psychiatrist aid/hinder your self-acceptance?
Well, Helen, I’d have to say it’s good to be a crossdresser and a psychiatrist. As I trained in psychiatry, I came across more people and ideas than I ever would have encountered on my own. That perspective gave me the confidence to shrug off all the conventional negativity about crossdressing, and instead see it as an exuberant and healthy part of human diversity.
May 5, 2005 — Lammy Reading — Washington
Location: Goethe Institut 812 Seventh Street, NW
Hosted by One In Ten
Time: 6 – 9 p.m.
Confirmed readers include:
Helen Boyd, My Husband Betty
Laurinda D. Brown, Fire & Brimstone
Alexis De Veaux, Warrior Poet: A Biography of Audre Lorde
Barbara Johnson, Once Upon a Dyke
Amy King, Antidotes for an Alibi
Jeff Mann, I Do/I Don’t
Damian McNicholl, A Son Called Gabriel
Therese Szymanski, Shadows of Night
Colm Toibin, The Master
Gary Zebrun, Someone You Know
My Husband Betty has just been nominated for the 17th Annual Lambda Literary Awards, in two categories: Memoir/Autobiography, and Transgender/GenderQueer.
You can see all the nominated books and categories at Lambda’s website.
I’m thrilled and honored and really, really excited – what a Christmas present! As it turns out, it was just the needed push for the book to hit its 4th printing, too!
Outside the Bright Lines
by Anna Quindlen
Newsweek, Aug. 11 issue
The most dispiriting moment in Jenny Boylan�s book is when she realizes that talking like a girl means sounding uncertain about your own name, like this: �Hello? I�m Jenny Boylan?�
THE FUNNIEST MOMENT is when her doctor tells her that gay men and lesbians don�t really have much in common with transsexuals. �Yeah,� Boylan replies, �except for the fact that we get beaten up by the same people.�
And one of the most telling moments in the book is when she goes to the credit union to have the name on her account changed from James Finney Boylan to Jennifer Finney Boylan. �You were named James?� the manager asks.
�I used to be a boy. Now I�m female. I had my name changed,� Boylan tells the manager.
�Huh,� she replies. �Okay, well this is simple enough. We�ll just change your name in the data field here.�
Boylan�s new book, “She�s Not There,” is a very funny memoir of growing up confused and a very smart consideration of what it means to be a woman. (Yeah, hormones make a difference.) It�s also the story of a writer and college professor who winds up married, living in Maine with two kids, all the while knowing that his true gender doesn�t match his body. It�s about becoming who you really are, which in this case meant becoming a woman.
But it is also about how good people can be. Because Boylan�s book is not about being shunned by her colleagues, losing her job, having her family ditch her. A good bit of it is merely about changing the data field. Even the woman who married Jim and wound up with Jenny responded with love, leavened with anger and pain, too. (�I want what I had,� she says at one point.) Boylan�s sons decided to call her �Maddy,� merging the titles of Mommy and Daddy. Her students still loved her��damn, girl, you look good!� one writes�and her colleagues rolled with it, the professors at Colby and the musicians with whom she plays in a bar band. (Although her friend Curly was chagrined when he asked what it was like to have breasts and she responded that the world doesn�t revolve around breasts. �I wish you could hear yourself,� he sighed sadly.) �As far as I�m concerned, you�re you, no matter what,� one friend said.
Tolerance is the rice pudding of modern behavior; it tastes sweeter than bigotry, but no one would confuse it with a parfait. What Boylan�s book represents is something deeper and more important than tolerance. The way in which people insisted on valuing her on the basis of who she was and not their confusion about what she had done represents the best of human behavior.
Doing that is hard. The old bright lines used to make things so simple. White was different from black. Male was different from female. Straight was better than gay. Gay was bad. So was sex, unless it had been sanctified by Alencon lace and a catering hall. Sanctified by God, some would say, or �natural moral law,� which is what the Vatican cited in its statement last week against gay marriage, the theological version of �because I said so.�
The God who suggested we love one another seemed strangely absent from all this. Look at the bright lines in the new movie �The Magdalene Sisters.� It�s a devastating drama based on the true story of unmarried Roman Catholic girls who got pregnant and were essentially imprisoned in Irish laundries called the Magdalene Asylums, sent there by their own parents for no crime other than sexuality. Who cares about compassion when you can have never-darken-my-doorstep certainty?
In his afterword to Boylan�s book her best friend, the writer Richard Russo, refers to a line in �The Great Gatsby�: he says his first reaction was to want �the world to be �uniform and at a sort of moral attention�.� That�s natural when the unexpected barrels around the corner. But for many years that feeling was the bedrock of a morality that was essentially immoral because it reduced human interaction to mathematics, without understanding or empathy. To have learned to think �you�re you, no matter what� about those we love and even those we don�t know has alleviated an enormous amount of unnecessary pain.
As for Jenny, she�s now the woman outside that she always felt she was within. The same salesman who tried to sell Jim a car and focused on the spark plugs tried to sell her one for $1,000 more and talked about the cup holders. She started ordering diet soda and salads, a cave to cultural stereotypes that made her nuts. She was cool about the demands her situation made on others: �If you�ve read this far in this note, it�s quite possible that you feel that the top of your head is about to blow off,� she wrote in a letter to colleagues explaining it all. One night at dinner her mother raised her glass and said, �I am so proud of my beautiful daughter.� Maybe there are those who feel she should disapprove, or hide it from her friends, or cut off contact with her own kid. After all, that�s what people did in the old days, to a pregnant daughter, to a gay son, to anyone outside the bright lines. But that�s just wrong.